

Part of the proceeds from these concerts went toward The Marigold Project. It helped me relinquish some of the emotions that helped me write those songs. Being on stage-that shared human experience of what’s happening between the audience and the performer-is important to me.

But considering that heaviness, there was also a joy of being able to share music with each other. The reality and the scope of where our world is right now lent some heaviness to those shows. In this particular setting, it’s a little strange and slightly heartbreaking to only have 175 people there instead of the 10,000 that we would normally play to. What was it like being able to get on an actual stage and perform your new record in front of an audience? Nathaniel Rateliff released And It’s Still Alright in February 2020. Add to it a fraught political climate filled with environmental catastrophe, racial injustice, and mounting anxiety about the next four years, all issues that preoccupy the socially conscious Rateliff, who’s channeled those frustrations into activism and community service via his organization, The Marigold Project.īut much like And It’s Still Alright finds hope in loss and beauty in pain across 10 tracks, Rateliff is still searching for the silver linings in 2020-and looking toward 2021 with cautious optimism. Late-night talk show appearances? If they were going to happen at all, they’d need to happen over Zoom. A massive tour supporting the new record? That would have to be canceled.
#Nathaniel rateliff time stands full#
Still, it’s difficult to stop ourselves from circling back to the Very Difficult Year, one that started off full of possibility for the 42-year-old singer-songwriter and quickly dissolved into something completely different. The record showcased a more ruminative side to the bombastic, swaggering bandleader of the rock ‘n’ soul outfit, The Night Sweats, and explored two personal tragedies- the recent death of Rateliff’s close friend, Richard Swift, and the aftermath of a difficult divorce-with tenderness and grace. We talk about writing songs and finding balance.Īnd we talk about Rateliff’s solo album, And It’s Still Alright, released on Valentine’s Day this year to acclaim.
#Nathaniel rateliff time stands series#
We talk about his recent return to live music with a series of concerts in front of limited, socially distanced audiences at the famed Red Rocks Amphitheatre in Colorado. Listen to the best of Nathaniel Rateliff on Apple Music and Spotify.Nathaniel Rateliff wants to talk about anything other than what he dubs “the semi-pre-apocalyptic world we’re living in right now.” And over the course of a recent phone call, we really try our damndest. The Americana Music Association’s 19th Annual Americana Honors & Awards ceremony is currently scheduled to take place on September 16 at the hallowed Ryman Auditorium in Nashville. Up for “Album of the Year” and “Song of the Year” (for And It’s Still Alright’s title track), Rateliff joins a distinguished line-up of fellow nominees, including Tanya Tucker, John Prine, and Brandi Carlile. In related news, Rateliff recently received multiple nominations for the 2020 Americana Awards. The space within the recording of ‘Time Stands’ fills the vast landscapes, image, and song reflecting upon time, detachment, and balance.” “People across the world are singularly experiencing this new sense of space and I wanted to document that – from bridges in Nigeria and abbeys in Scotland to the outback of Australia and skyscrapers of Sao Palo, from an empty shopping district in Tokyo to lonely Southern California beaches, silent streets of Santo Domingo and great solitude of the Colorado Rockies. “The global pandemic we are facing has implemented distance – distance from our loved ones far away, distance from people out in the world and distance from the life we once knew,” said Rogers in a statement.
